Sorrend |
Kezdő időpont |
Záró időpont |
Név |
Előadás címe |
1 |
10:00 |
10:20 |
Bozsódi-Nagy Orsolya-Boglárka |
Civilizing the 'Uncivilized'. Colonial Approaches in John Paget's Travelogue on Hungary and Transylvania |
2 |
10:20 |
10:40 |
Nyári Adrienn |
On Hungarian and Transylvanian Stereotypes in Arthur J. Patterson’s Travelogue |
3 |
10:40 |
11:00 |
Szenderszki Krisztina |
Hungarian National Identity in the Middle of the 19th Century Through the Lens of an American Traveler |
4 |
11:00 |
11:20 |
Hőgye Henrietta |
The Urban Life Described by Paton in The Goth and The Hun |
5 |
11:20 |
11:40 |
Vincze Zsófia |
The American Representation of Communism in Philip Roth's 'I Married a Communist' |
6 |
11:40 |
12:00 |
Erdős Alexandra |
Marriage vs. Freedom: A Black Woman in Z. N. Hurston's Their Eyes Were Watching God |
|
12:00 |
12:20 |
Kávészünet |
|
7 |
12:20 |
12:40 |
Nagy Vanda Kinga |
Intertextuality, Mythical and Fairytale Motifs in Jeanette Winterson’s 'Sexing the Cherry' |
8 |
12:40 |
13:00 |
Kind Blanka |
'There Is No Other Way': Jeanette Winterson’s Adaptation of the Myths of Atlas and Sisyphus in Weight |
9 |
13:00 |
13:20 |
Kincses Anna |
Past Regrets of a Woman: The Past-Present Dichotomy and Stream of Consciousness Technique in Virginia Woolf’s Mrs. Dalloway |
10 |
13:20 |
13:40 |
Ákos Adrienn |
The Revision of the Bluebeard Tale in Angela Carter's 'The Bloody Chamber' and 'The Erl-King' |
11 |
13:40 |
14:00 |
Száv Zsuzsa Erzsébet |
Light and Darkness in The Great Gatsby |